From Russia With Love (1963)

James Bond searches for a Lektor cryptographic device that has the potential to wreak havoc in the world and stops SPECTRE, a secret crime organisation, from acquiring it.

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Diamonds are Forever (1971)

James Bond masquerades as Peter Franks to uncover a diamond smuggling conspiracy. He must also deal with his old rival, who wants to use the diamonds to build a giant laser.

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Meteor (1979)

When USA detects a gigantic meteor moving towards Earth, their only hope to save mankind is to use an illegal nuclear weapon satellite. However, they soon realize that they cannot do it alone.

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You Only Live Twice (1967)

An American space capsule supposedly gets abducted by a Russian spaceship. However, as James Bond discovers that SPECTRE is responsible for it, he embarks on a mission to unearth the motive behind it.

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The Untouchables (1987)

Despite Prohibition in the USA, a mobster, Al Capone, continues his illicit liquor business. A federal agent, Eliot Ness, is assigned to expose Capone's illegal business and bring him to justice.

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Goldfinger (1974)

MI6 agent James Bond investigates a gold-smuggling ring run by businessman Auric Goldfinger. As he delves deeper into his activities, he uncovers a sinister plan to attack Fort Knox's gold reserves.

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Marnie (1964)

 

Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

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Never Say Never Again (1983)

Never Say Never Again is a 1983 spy film directed by Irvin Kershner. The film is based on the 1961 James Bond novel Thunderball by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted as the 1965 film Thunderball. Never Say Never Again is the second and most recent James Bond film not to be produced by Eon Productions (the usual producer of the Bond series) but instead by Jack Schwartzman's Taliafilm. The film was executive produced by Kevin McClory, one of the original writers of the Thunderball storyline. McClory had retained the filming rights of the novel following a long legal battle dating from the 1960s.

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